Shop Launch: 6 New Prints!

I’m excited to announce that the shop is LIVE and I’m launching with 6 new prints!

6 new pieces I painted this year are now ready to order as giclee prints through Monday, August 17, 2020.

I painted these imagining them living side by side in sets of 3 like this above, but they stand strong by themselves too!

FIRST, the process and behind-the-scenes stories:

The animal paintings started in my sketchbook with just a few sea creatures and moved to the final draft.

I don’t use pencil for underdrawing, but paint directly onto blank paper so I use sticky notes for placement - they have the shape and name of the creatures on them.

JAPANESE BIRDS

These all live in Japan - some native, some not - all recorded on a document if you’d like to know the names!

This project began with my daughter’s (2 years old) interest in birds. We started visiting ducks and geese close to our house. On walks by one neighbor’s home, she would stop, sit, and watch the birds. That was good indication that it was time to get a bird feeder at home.

We got one for finches and one for hummingbirds. Part of daily life now during quarantine is admiring birds, observing the local varieties, and shooing squirrels away from stealing the bird food.

Fun fact: the bottom right bird unintentionally is an exact portrait of my daughter’s expression when she furrows her brows.

JAPANESE SEA CREATURES

These all live in Japan - some native, some not - all recorded on a document if you’d like to know the names!

If I could pick one animal I’m always drawn to in print or paintings, it would be sea creatures - mostly fish. That includes the Japanese fish scale pattern that I want to add on everything I own.

This painting was the first of my series of 3. I wondered which are around Japan, and sketched how they’d look together. Once I painted a few in my sketchbook, I had to keep going. I could have covered a wall with my list of Japanese sea creatures I wanted to paint, but I narrowed it down to a variety of distinct shapes in an 11x14” painting. I’m sure I’ll revisit painting fish in the future.

JAPANESE REPTILES & AMPHIBIANS

These all live in Japan - some native, some not - all recorded on a document if you’d like to know the names!

This was the final painting in my series of 3. I’ve been working a project called the 100 Day Project, painting animals that express pandemic-related feelings/experiences, and the first of the 100 was a turtle. A few days later I painted a frog. That piqued my interest to learn more, and it was time to start this piece dedicated to reptiles and amphibians in Japan.

Much like the birds and fish, there were far more than I could possibly include in one painting so I chose a variety that stood out while researching.

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OUT OF WORDS 1, 2, 3

My other series came from thinking about news and the range of responses to the deep issues of prejudice this year that we faced in a more direct way. The responses include learning, thinking, protesting, speaking, conversing, giving, questioning, grieving, dismissing…only to name a few.

This year has been surprising, to say the least. Sometimes when I can’t put my experiences or thoughts into words, I paint. I’m mourning and longing, but always with hope. The flowers as center points of the compositions point to new life and to hope.

1 Camellias (far left): one of the meanings (varies by color) is longing in Japanese “hanakotoba” (“flower words” = language of flowers). I, just like almost everyone else, am longing for peace and justice, even if I don’t immediately know how to respond or where to change.

2 Dahlias (center): one of the meanings (also varies by color) is dignity. In a time I didn’t know what action to take, one thing I knew without a doubt was the dignity of every human being regardless of ability, experience, or appearance.

3 Morning glories (right): one of the meanings is united. There are divisions everywhere we look, and some of those have become more apparent this year. This is another thing I long for, to be united to stand for the God-given dignity of every person.

OUT OF WORDS 1

If you look closely by the expressions, you’ll see little bodies attached. These are the body language of a variety of responses that I observed and some that I felt, but couldn’t necessarily put into words.

OUT OF WORDS 2

OUT OF WORDS 3

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ABOUT THE PRINTS: 

All prints are the highest quality giclee reproductions, professionally printed in the Bay Area. They are on archival, matte, acid-free 340gsm 100% cotton fiber material with a watercolor paper texture. The paper is exactly like the original cold press watercolor paper I painted them on!

Dimensions: 11x14”

The measurements include the white edge so they can be framed with or without a mat/mount. The prints are standard sizes (11x14”) so framing options are plentiful. Feel free to contact me with framing questions, but I included some suggestions at the end. I will post separately with more detail about framing options and ideas! 

Side-by-side with original:

In a previous print release of Japanese tea bowls, I placed the original and the print side-by-side and was astonished at the perfect capture and print quality. It’s hard to tell which is the original painting except for the deckled edge on the original watercolor paper.

FREE SHIPPING (domestic): To celebrate the shop launch, I’m offering free shipping!

The print will be packaged in a clear sleeve and will be sealed, laying flat with hard backing in a rigid mailer to ensure it reaches you in perfect condition. Please contact me for a quote for international shipping!

ORDERING: The SHOP is LIVE and the print orders will close on Monday, August 17, 2020 11:59pm. Once orders are received, they will be shipped within 7-10 days.
*Please contact me if you'd prefer to pick up.

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FRAMING TIPS:

Option 1: Professional

Since this is a standard size, you could purchase a pre-made frame and have the framer assemble it. Standard size pre-made frames are significantly less expensive than custom orders.

Framers have specific tools and this option will ensure the framing is done safely, correctly, and with good alignment. You can select different glass options and mat colors (I recommend white that matches the paper white).

Option 2: Semi-DIY with mat

If framing it myself, I would include a mat because I like that space between the painting and the frame.

A good rule of thumb is for the mat to be around 3” wider/taller than the painting. For 11x14” you would need:

• 1 mat (16x20”) with 11x14” opening

• 1 acid-free backing board (16x20”)

• 1 frame (16x20”)

Option 3: Semi-DIY without mat

If space doesn’t allow, I’d go for a simple 11x14” frame. I paint these with this option in mind so there is space between the edge of the painting and the animals. Without a mat, since the frame will be close to the painting, I like the soft look of natural wood close to black ink to keep the painting as the focal point rather than the frame, but it depends on your space!

I call 2 and 3 Semi-DIY because complete DIY would start with cutting the mat yourself using a mat cutter that most don’t have lying around.

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Thank you for browsing! If you enjoyed these paintings, please share with anyone else who may also like to see them.

To get studio updates in your inbox, subscribe at the footer of this page. You’ll be the first to know about more print releases coming this year!

New Prints Available through Tuesday!

Print reproductions of recent work are ready and the pre-orders are in! I'm printing a limited number so email subscribers got the first updates. BUT if you didn’t get a chance to subscribe before the email went out and would still like to order, I’m opening up orders for 2 more days.

ABOUT THE PRINTS: All prints are the highest quality giclee reproductions, professionally printed in the Bay Area. They are on archival, matte, acid-free 340gsm 100% cotton fiber material with a watercolor paper texture. The paper is exactly like the original cold press watercolor paper I painted them on!
The measurements include the white edge so they can be framed with or without a mat/mount. The prints are standard sizes (11x14 or 16x20) so framing options are plentiful. Feel free to contact me with framing questions! 
 

FREE SHIPPING (domestic): The print will be packaged in a cellophane slip for protection. For shipping, the prints will be packaged and sealed between flat multilayered boards to ensure it reaches you in perfect condition. Please contact me for a quote for international shipping!

ORDERING: Here's what I need from you by email or the contact form on the site by end of day Tuesday, October 8!

• Title of the piece you'd like (or titles)

• Shipping name & address*

• Email & phone number for tracking

• Payment via Venmo @emakubo or Paypal to ema.k.roberson@gmail.com

Once I get this info from you (by 10/8/19), the print will be secured for you and ship out shortly!

*Contact me if you'd prefer to pick up.

I painted these imagining them living side by side in sets of 2-3 like this:
 

JAPANESE FOOD

35 each of some favorite things: Nigiri, Wagashi, and Yasai - all recorded on a document if you’d like to know the names! 11x14”

COLLECTIONS

Left: 70 Japanese traditional tea bowls // Right: Japanese characters starting from the top right, corresponding to animal names. 16x20”

BACKYARD BLOOMS

Each one painted looking at real flowers from my parents’ garden. 16x20”

HYDRANGEA PATTERNS

Visited Japan this year during hydrangea season and these were some of my favorites from a hydrangea festival at a local shrine. 11x14”

Here are the 11 available prints including dimensions, prices, and brief descriptions:

• Ochawan [16x20" - $95] giclee print of an original 16x20" watercolor painting of 70 types of Japanese tea bowls of various regions.

Ochawan [16x20" - $95] giclee print of an original 16x20" watercolor painting of 70 types of Japanese tea bowls of various regions.

• Nigiri [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of nigiri sushi.

Nigiri [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of nigiri sushi.

• Wagashi [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of traditional Japanese confections.

Wagashi [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of traditional Japanese confections.

• Yasai [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of Japanese vegetables.

Yasai [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of Japanese vegetables.

• Hiragana Animals [16x20" - $95] giclee print of an original 16x20" Japanese sumi ink painting of animals that correspond with Japanese letters (hiragana).

Hiragana Animals [16x20" - $95] giclee print of an original 16x20" Japanese sumi ink painting of animals that correspond with Japanese letters (hiragana).

• Hydrangea 1 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

Hydrangea 1 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

• Hydrangea 2 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

Hydrangea 2 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

• Hydrangea 3 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

Hydrangea 3 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

• Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

• Blush Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

Blush Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

• Rhododendron [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting featuring a front yard peony.

Rhododendron [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting featuring a front yard peony.

Thank you for your time if you made it through this far! If you enjoyed browsing these paintings, share with anyone else who may also like to see them.

To get studio updates in your inbox, you can subscribe at the footer of this page! Coming soon will be a brief (and long overdue) studio/life recap and upcoming show news!

Stollen Bread? {12 Days of Christmas Traditions Explained Quickly}

Why do we eat Stollen at Christmas? All I can say is tradition...because my mom makes it every year...? There must be some background.

First, what is Stollen? Stollen, or Christstollen, is a German formed bread-like fruit cake. It's filled with dried fruits, nuts, and spices covered in powdered sugar. 

Now time travel six centuries ago to Europe! Stollen started (or was recorded) as far back as 14th century Germany. The shape of Stollen-- this fold-over dough with a white top layer-- is symbolic of baby Jesus wrapped in swaddling cloths.  It started as a fasting cake made during Advent when people couldn't use butter, milk, or fruits (due to fasting rules) so it started as a very plain bread. After special appeal to the papacy in the 15th century, butter and milk were added, and the cake started looking more like it does today. Winter merriment started in Germany around the Winter Solstice before Christianity spread there, and the ingredients like rare spices and fruits were a treat for these special festivities, naturally also used in Christstollen.

"A must for breakfast."

All I knew of Stollen was that it was from Germany and my mom made a healthier version for my dad every year. She's an amazing baker, making more breads than I knew existed. She makes Japanese breads, Chinese special starter breads, naturally fermented starters for rustic breads, brick oven-baked bread... I could fill a book describing them all.  When I attempt yeasted breads I anxiously stare at my yeast dissolving, hoping it will activate and bubble instead of get scorched-- meanwhile my master baker mom makes her starter from scratch without any granulated shortcuts. There's no comparison to the flavor and texture of her bread- no matter what I bake it's mediocre because I've gotten used to hers. 

The etegami Christmas series wouldn't be complete without Christmas bread because our Christmas day wouldn't be the same without the sweet feast. 

This year I attempted baking 3 of the 10+ breads: 2 yeasted: Polish Poppyseed Walnut Bread, Swedish Marzipan Filled Coffee Bread, & 1 quick bread: Cranberry Orange Bread. I still have a long way to go but I hope to carry on the tradition.