Sharaku's Prints of Kabuki Actors

The latest addition to my compilation painting of Japanese historical figures is the bottom left figure with a menacing expression and hands aggressively pointing forward.

In progress 22x30” sumi ink on Arches paper

This is from a woodblock print by Tōshūsai Sharaku 東洲斎写楽 (usually known as Sharaku) from the late Edo period. He was known for portraits of kabuki actors, and this is one of the most well-known. The full title is Ōtani Oniji III in the Role of the Servant Edobei in the play The Colored Reins of a Loving Wife 恋女房染分手綱.

Let’s unpack that:

• Ōtani Oniji III = name of actor

• Servant Edobei = name of character in play

• The Colored Reins of a Loving Wife = title of play

It’s a tragic love story full of plot twists, evil characters, a loyal wife fulfilling her duties. Here’s the detailed plot in English.

Original: Woodblock print; ink, color, white mica on paper; 15 x 9 7/8”

What is kabuki?

Popular theater in Japan that started about 400 years ago. The name kabuki 歌舞伎 describes it well: singing歌, dancing舞, acting伎. It was popular among city people, commoners, but not the higher class. The actors were like celebrities in our day in popularity and portraits of them were sought after by fans.

Who was the artist?

Sharaku was a woodblock print artist known for portraits of kabuki actors. He produced almost 150 different prints in only 10 months! Not much is known about him or what happened after that successful year.

First theory: he may have been a Noh (older form of Japanese theater) actor from a daimyo (lord) family so he wouldn’t have had to continue his art career for a living. As part of that family, he would have been trained in calligraphy, which helps explain his incredible skill with the brush and draftsmanship without any record of apprenticeship before his 10-month career. Some say as a performer, he would have had a unique perspective of telling a story visually, though from a different theater tradition.

Another theory that I find fascinating is that Sharaku is actually Hokusai (the artist known for the Great Wave woodblock print). Hokusai’s artist name before “Hokusai” was “Shunro” after his teacher Katsukawa Shunso. He produced many actor prints and illustrated books leading up to 1794 when “Sharaku” was active for less than a year, and “Shunro” produced no actor prints during that time.

I included the reference information to this article explaining the theory included at the end. The art historian goes through the details of comparing lines, dramatic kabuki poses apparent in both, even down to how a demon is depicted by both—all visual evidence that I find quite convincing!

His most well-known prints are dramatic close-ups. The hands and faces are key to telling the audience who the character is. He also clues in the viewer by including the family crest of the actor on the garment.

He had a way of capturing the core character of the role the actor played as well as distinct, recognizable features of the kabuki actors. In a time when it was more common to have idealized or generalized features, it was an unusual style to see recognizable, even exaggerated features without attempting any idealization

Why does the figure (below) look menacing?

• The character this actor is playing is the bad guy Edobei 江戸兵衛

• Edobei is the servant (like a henchman) of the evil character in the play

Sharaku’s work is some of the most well-known in woodblock prints, but it was new information to me that his career was so short (though prolific)! I’m also intrigued by this theory about Sharaku’s identity as Hokusai - just a glimpse into the abundant treasure hunts and mysteries to solve in art history!

I’ll keep sharing some peeks into Japanese history as I continue filling this painting with figures.

Article referenced: Tanaka, Hidemichi. "Sharaku Is Hokusai: On Warrior Prints and Shunrô's (Hokusai's) Actor Prints." Artibus Et Historiae 20, no. 39 (1999): 157-90.

Shop Launch: 6 New Prints!

I’m excited to announce that the shop is LIVE and I’m launching with 6 new prints!

6 new pieces I painted this year are now ready to order as giclee prints through Monday, August 17, 2020.

I painted these imagining them living side by side in sets of 3 like this above, but they stand strong by themselves too!

FIRST, the process and behind-the-scenes stories:

The animal paintings started in my sketchbook with just a few sea creatures and moved to the final draft.

I don’t use pencil for underdrawing, but paint directly onto blank paper so I use sticky notes for placement - they have the shape and name of the creatures on them.

JAPANESE BIRDS

These all live in Japan - some native, some not - all recorded on a document if you’d like to know the names!

This project began with my daughter’s (2 years old) interest in birds. We started visiting ducks and geese close to our house. On walks by one neighbor’s home, she would stop, sit, and watch the birds. That was good indication that it was time to get a bird feeder at home.

We got one for finches and one for hummingbirds. Part of daily life now during quarantine is admiring birds, observing the local varieties, and shooing squirrels away from stealing the bird food.

Fun fact: the bottom right bird unintentionally is an exact portrait of my daughter’s expression when she furrows her brows.

JAPANESE SEA CREATURES

These all live in Japan - some native, some not - all recorded on a document if you’d like to know the names!

If I could pick one animal I’m always drawn to in print or paintings, it would be sea creatures - mostly fish. That includes the Japanese fish scale pattern that I want to add on everything I own.

This painting was the first of my series of 3. I wondered which are around Japan, and sketched how they’d look together. Once I painted a few in my sketchbook, I had to keep going. I could have covered a wall with my list of Japanese sea creatures I wanted to paint, but I narrowed it down to a variety of distinct shapes in an 11x14” painting. I’m sure I’ll revisit painting fish in the future.

JAPANESE REPTILES & AMPHIBIANS

These all live in Japan - some native, some not - all recorded on a document if you’d like to know the names!

This was the final painting in my series of 3. I’ve been working a project called the 100 Day Project, painting animals that express pandemic-related feelings/experiences, and the first of the 100 was a turtle. A few days later I painted a frog. That piqued my interest to learn more, and it was time to start this piece dedicated to reptiles and amphibians in Japan.

Much like the birds and fish, there were far more than I could possibly include in one painting so I chose a variety that stood out while researching.

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OUT OF WORDS 1, 2, 3

My other series came from thinking about news and the range of responses to the deep issues of prejudice this year that we faced in a more direct way. The responses include learning, thinking, protesting, speaking, conversing, giving, questioning, grieving, dismissing…only to name a few.

This year has been surprising, to say the least. Sometimes when I can’t put my experiences or thoughts into words, I paint. I’m mourning and longing, but always with hope. The flowers as center points of the compositions point to new life and to hope.

1 Camellias (far left): one of the meanings (varies by color) is longing in Japanese “hanakotoba” (“flower words” = language of flowers). I, just like almost everyone else, am longing for peace and justice, even if I don’t immediately know how to respond or where to change.

2 Dahlias (center): one of the meanings (also varies by color) is dignity. In a time I didn’t know what action to take, one thing I knew without a doubt was the dignity of every human being regardless of ability, experience, or appearance.

3 Morning glories (right): one of the meanings is united. There are divisions everywhere we look, and some of those have become more apparent this year. This is another thing I long for, to be united to stand for the God-given dignity of every person.

OUT OF WORDS 1

If you look closely by the expressions, you’ll see little bodies attached. These are the body language of a variety of responses that I observed and some that I felt, but couldn’t necessarily put into words.

OUT OF WORDS 2

OUT OF WORDS 3

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ABOUT THE PRINTS: 

All prints are the highest quality giclee reproductions, professionally printed in the Bay Area. They are on archival, matte, acid-free 340gsm 100% cotton fiber material with a watercolor paper texture. The paper is exactly like the original cold press watercolor paper I painted them on!

Dimensions: 11x14”

The measurements include the white edge so they can be framed with or without a mat/mount. The prints are standard sizes (11x14”) so framing options are plentiful. Feel free to contact me with framing questions, but I included some suggestions at the end. I will post separately with more detail about framing options and ideas! 

Side-by-side with original:

In a previous print release of Japanese tea bowls, I placed the original and the print side-by-side and was astonished at the perfect capture and print quality. It’s hard to tell which is the original painting except for the deckled edge on the original watercolor paper.

FREE SHIPPING (domestic): To celebrate the shop launch, I’m offering free shipping!

The print will be packaged in a clear sleeve and will be sealed, laying flat with hard backing in a rigid mailer to ensure it reaches you in perfect condition. Please contact me for a quote for international shipping!

ORDERING: The SHOP is LIVE and the print orders will close on Monday, August 17, 2020 11:59pm. Once orders are received, they will be shipped within 7-10 days.
*Please contact me if you'd prefer to pick up.

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FRAMING TIPS:

Option 1: Professional

Since this is a standard size, you could purchase a pre-made frame and have the framer assemble it. Standard size pre-made frames are significantly less expensive than custom orders.

Framers have specific tools and this option will ensure the framing is done safely, correctly, and with good alignment. You can select different glass options and mat colors (I recommend white that matches the paper white).

Option 2: Semi-DIY with mat

If framing it myself, I would include a mat because I like that space between the painting and the frame.

A good rule of thumb is for the mat to be around 3” wider/taller than the painting. For 11x14” you would need:

• 1 mat (16x20”) with 11x14” opening

• 1 acid-free backing board (16x20”)

• 1 frame (16x20”)

Option 3: Semi-DIY without mat

If space doesn’t allow, I’d go for a simple 11x14” frame. I paint these with this option in mind so there is space between the edge of the painting and the animals. Without a mat, since the frame will be close to the painting, I like the soft look of natural wood close to black ink to keep the painting as the focal point rather than the frame, but it depends on your space!

I call 2 and 3 Semi-DIY because complete DIY would start with cutting the mat yourself using a mat cutter that most don’t have lying around.

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Thank you for browsing! If you enjoyed these paintings, please share with anyone else who may also like to see them.

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New Prints Available through Tuesday!

Print reproductions of recent work are ready and the pre-orders are in! I'm printing a limited number so email subscribers got the first updates. BUT if you didn’t get a chance to subscribe before the email went out and would still like to order, I’m opening up orders for 2 more days.

ABOUT THE PRINTS: All prints are the highest quality giclee reproductions, professionally printed in the Bay Area. They are on archival, matte, acid-free 340gsm 100% cotton fiber material with a watercolor paper texture. The paper is exactly like the original cold press watercolor paper I painted them on!
The measurements include the white edge so they can be framed with or without a mat/mount. The prints are standard sizes (11x14 or 16x20) so framing options are plentiful. Feel free to contact me with framing questions! 
 

FREE SHIPPING (domestic): The print will be packaged in a cellophane slip for protection. For shipping, the prints will be packaged and sealed between flat multilayered boards to ensure it reaches you in perfect condition. Please contact me for a quote for international shipping!

ORDERING: Here's what I need from you by email or the contact form on the site by end of day Tuesday, October 8!

• Title of the piece you'd like (or titles)

• Shipping name & address*

• Email & phone number for tracking

• Payment via Venmo @emakubo or Paypal to ema.k.roberson@gmail.com

Once I get this info from you (by 10/8/19), the print will be secured for you and ship out shortly!

*Contact me if you'd prefer to pick up.

I painted these imagining them living side by side in sets of 2-3 like this:
 

JAPANESE FOOD

35 each of some favorite things: Nigiri, Wagashi, and Yasai - all recorded on a document if you’d like to know the names! 11x14”

COLLECTIONS

Left: 70 Japanese traditional tea bowls // Right: Japanese characters starting from the top right, corresponding to animal names. 16x20”

BACKYARD BLOOMS

Each one painted looking at real flowers from my parents’ garden. 16x20”

HYDRANGEA PATTERNS

Visited Japan this year during hydrangea season and these were some of my favorites from a hydrangea festival at a local shrine. 11x14”

Here are the 11 available prints including dimensions, prices, and brief descriptions:

• Ochawan [16x20" - $95] giclee print of an original 16x20" watercolor painting of 70 types of Japanese tea bowls of various regions.

Ochawan [16x20" - $95] giclee print of an original 16x20" watercolor painting of 70 types of Japanese tea bowls of various regions.

• Nigiri [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of nigiri sushi.

Nigiri [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of nigiri sushi.

• Wagashi [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of traditional Japanese confections.

Wagashi [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of traditional Japanese confections.

• Yasai [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of Japanese vegetables.

Yasai [11x14" - $80] giclee print of an original 11x14" watercolor painting of 35 types of Japanese vegetables.

• Hiragana Animals [16x20" - $95] giclee print of an original 16x20" Japanese sumi ink painting of animals that correspond with Japanese letters (hiragana).

Hiragana Animals [16x20" - $95] giclee print of an original 16x20" Japanese sumi ink painting of animals that correspond with Japanese letters (hiragana).

• Hydrangea 1 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

Hydrangea 1 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

• Hydrangea 2 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

Hydrangea 2 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

• Hydrangea 3 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

Hydrangea 3 [11x14" - $80] giclee print of an original 12x16" sumi ink and watercolor painting of hydrangeas in late spring in Tokyo.

• Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

• Blush Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

Blush Peony [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting of a backyard peony.

• Rhododendron [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting featuring a front yard peony.

Rhododendron [16x20" - $95] giclee print of an original 16x20" sumi ink and watercolor painting featuring a front yard peony.

Thank you for your time if you made it through this far! If you enjoyed browsing these paintings, share with anyone else who may also like to see them.

To get studio updates in your inbox, you can subscribe at the footer of this page! Coming soon will be a brief (and long overdue) studio/life recap and upcoming show news!

{Making Monday} Big picture goals from a weekly routine

One of the conversations that sticks out most to me was with my brother about goals for the new year, several years ago. When talking about things I would like to do in the coming year, my brother asked me, "what does your week look like?" I responded, "I guess I work, I exercise sometimes, I cook, I hang out with friends..." and he said, "Well multiply that by 52 and that will be what you do this year." 

That was a shocking reality check! I thought taking it a week at a time was fine, but when I realized that how each week is organized has a larger impact on the entire year, it made me rethink how I prioritize activities each week.

It's important to start in the big picture: What are your long-term goals? In other words: 

What are God-given gifts and desires that you want to use for His service over a lifetime?

That could be a 50-year plan, obviously impossible to know what it will look like, but we can figure out what kind of skills need to be polished to work in that direction. I was motivated even more after our retreat this weekend, being encouraged to work fervently, purposefully, and diligently in all things. We can only work hard with a specific goal in mind, so what am I working for? 

An ongoing tug on my heart since at least 10 years ago: the population is less than 1% Christian in Japan, so I want to share the joy and hope of knowing God. At the very least, so people will know God's love and can then decide what to do about it.  So, considering the family life I was brought up in and the skills I have now, that desire plays out like this long-term:

Two examples:

1. Paint the history of Christianity in Japan 

2. Teach kids Japanese language and culture

1. Paint the history of Christianity in Japan

What needs to be done?

• Know the history
• Improve painting skills
• Know western art history to reference

For me, this means:

• Study the history (--> I went to grad school)
• Keep painting (--> I'm blogging and painting)
• Know western art history to reference (keep looking at art books and going to museums)

Weekly (now):

• Keep painting with different media so that I can incorporate western techniques into my Japanese painting... which is where this comes in: working on large oil paintings.

Now, breaking down the second example:

2: Teach kids Japanese language and culture

What needs to be done? 

• Practice Japanese conversation so it'll flow better all the time at home
• Read more Japanese to be able to teach
• Keep up with Japanese culture
• Know and practice Japanese customs

For me, this means:

• Keep up relationships with Japanese friends
• Read Japanese books
• Watch Japanese shows, read news, look at magazines/websites
• Celebrate holidays (& cook the holiday food!) and learn the background

Weekly (now):

• Read the Bible in Japanese
• Continue working as a translator and give it 100% effort

Basically it comes down to: *a notebook is crucial--write it down!*

1. Big picture: long-term goal (not just a dream). Something clear based on the skills and desires God has given you.
2. Talk it through: Pray first. Then, sharing and getting feedback is critical! People close to you can help identify your gifts and walk the journey with you.
3. Break it down: Identify skills/components needed to see #1 (above) become a reality.
4. Work on skills: Break down #3 into baby steps.
5. Schedule it:  Subtract things in your weekly schedule that don't fit with the big picture goal, and add in things necessary to reach that goal.

Consider what is realistic for yourself now, but if the goal really is important then diligently work on at least one component!

Since those paintings are on my mind, I was thrilled to see the color palette I wanted to use on trees in Yosemite this weekend. The pops of bright green moss against the red bark with highlights of light mustard yellow was eye-catching. Bark is not brown! (Yes, I will die on that "nothing is brown" hill.) The outline of my paintings (photos above) will be bright green moss-colored, and the brick includes all these colors in the bark: 

It's no surprise that the Creator and Master Painter of the universe would have such a delightful color palette on a tree trunk. "The heavens declare the glory of God and the sky above proclaims his handiwork." Psalm 19:1

If then you have been raised with Christ, seek the things that are above, where Christ is, seated at the right hand of God. Set your mind on things that are above, not on things that are on earth...

Whatever you do, work heartily, as for the Lord and not for men, knowing that from the Lord you will receive the inheritance as your reward. You are serving the Lord Christ. 

Colossians 3:1-2, 23-24

Let's work!!

Stollen Bread? {12 Days of Christmas Traditions Explained Quickly}

Why do we eat Stollen at Christmas? All I can say is tradition...because my mom makes it every year...? There must be some background.

First, what is Stollen? Stollen, or Christstollen, is a German formed bread-like fruit cake. It's filled with dried fruits, nuts, and spices covered in powdered sugar. 

Now time travel six centuries ago to Europe! Stollen started (or was recorded) as far back as 14th century Germany. The shape of Stollen-- this fold-over dough with a white top layer-- is symbolic of baby Jesus wrapped in swaddling cloths.  It started as a fasting cake made during Advent when people couldn't use butter, milk, or fruits (due to fasting rules) so it started as a very plain bread. After special appeal to the papacy in the 15th century, butter and milk were added, and the cake started looking more like it does today. Winter merriment started in Germany around the Winter Solstice before Christianity spread there, and the ingredients like rare spices and fruits were a treat for these special festivities, naturally also used in Christstollen.

"A must for breakfast."

All I knew of Stollen was that it was from Germany and my mom made a healthier version for my dad every year. She's an amazing baker, making more breads than I knew existed. She makes Japanese breads, Chinese special starter breads, naturally fermented starters for rustic breads, brick oven-baked bread... I could fill a book describing them all.  When I attempt yeasted breads I anxiously stare at my yeast dissolving, hoping it will activate and bubble instead of get scorched-- meanwhile my master baker mom makes her starter from scratch without any granulated shortcuts. There's no comparison to the flavor and texture of her bread- no matter what I bake it's mediocre because I've gotten used to hers. 

The etegami Christmas series wouldn't be complete without Christmas bread because our Christmas day wouldn't be the same without the sweet feast. 

This year I attempted baking 3 of the 10+ breads: 2 yeasted: Polish Poppyseed Walnut Bread, Swedish Marzipan Filled Coffee Bread, & 1 quick bread: Cranberry Orange Bread. I still have a long way to go but I hope to carry on the tradition. 

When did St. Nick move to the North Pole? {12 Days of Christmas}

The background of St. Nick is somewhat known- the monk St. Nicholas born in 280AD was known for giving away his inherited wealth and helping many people. St. Nicholas day was celebrated December 6th, when people feasted and gave gifts. Stories about St. Nicholas giving gifts continued on for centuries.

The name? A quick overview:

• Saint Nicholas
• Sint Nikolaas (Dutch)
• Sinter Klaas (shortened, Dutch)
• Santa Claus

Now the main question: when did he move to the North Pole?

In 1890, political cartoonist Thomas Nast drew what is now our image of Santa Claus in the North Pole. He was positioned there most likely because the arctic was seen as a mysterious fantasy land that no one had been to (yet), plus Christmas was associated with snow. So this mysterious, jolly, kind gift giver came from the land of the arctic, the North Pole. 

It says: "Oh look, there's Santa."

[another bubble burster: apparently there are no penguins in the North Pole...]

Christmas Movies & Ewoks? {12 Days of Christmas Traditions Explained Quickly : Day 6}

Why did we watch a movie on Christmas every year? Our favorite was It's a Wonderful Life. It never gets old! 

The top 10 most-watched Christmas movies in the states:

1. A Christmas Story
2. Elf
3. Home Alone
4. It's a Wonderful Life
5. Love Actually
6. Christmas Vacation
7. White Christmas
8. How the Grinch Stole Christmas
9. Holiday Inn
10. A Christmas Carol

DAY 6: CHRISTMAS MOVIES.

I suppose it's an obvious one that I never thought about. Families are together, there's often time off, and entertainment is nice way to relax. So, the last week in December is the highest grossing week of the year. It makes sense that if that's when people watch, making the story align with the holiday makes perfect sense! 

We don't go anywhere on Christmas but we will probably continue to watch Christmas movies at home. We will likely be watching Star Wars: The Force Awakens at some point during the last week of the year because I have that week off of work. In honor of the movie, here's a throwback to an Ewok painting that I painted for our biggest Star Wars fan friends:

Poinsettia? {12 Days of Christmas Traditions Explained Quickly : Day 5}

First of all, the pronunciation: poinsett-ee-a? poinsett-a?

I wish they were around more than at Christmas since they're one of the few flowers I can keep alive! And to find out they are barely flowers... (the flowers are the tiny little yellow buds). I'm bursting my own bubble of festivity. 

DAY 5: POINSETTIA.

We're back to the Aztecs in modern-day Mexico where the plants originated (see post here about hot chocolate from Mexico). They grew in the wild in the winter and were used in important ceremonies. Fast forward to 16th century Mexico, when a little girl wanted to celebrate Jesus' birthday by taking him a gift but had nothing. An angel told her to take weeds which then turned into beautiful poinsettias at the church altar. The church continued to use poinsettias at Christmas, and they are now associated with the holiday because of the season they grow and because of this legend.

The name Poinsettia is from the American ambassador, Poinsett, who brought them back from Mexico to his greenhouse in South Carolina in the 1800s. 

Now back to pronunciation...

Poin-set-ya. 

But that's a little hard to pronounce so some regions developed into poinsett-ee-uh, and some to poin-set-uh. I can't ignore the i so I'm going to stick with poinsett-ee-uh.

Nutcracker? {12 Days of Christmas Traditions Explained Quickly : Day 4}

As strange as it sounds and for no good reason, those funny little nutcrackers are my favorite Christmas decorations. Yet I have no idea where they came from or why they are around only at Christmas. If it's trendy to have a gold rhino on your stack of books as a paper weight, why can't it be a nutcracker?

"I wonder if it really cracks?"

Day 4: NUTCRACKER.

How did nut-cracking pliers become a home decoration? The history goes back (at least) 300 years to a woodworking town in Germany. Dolls were given for good luck, and the same woodworkers made soldier dolls as well as nut-cracking tools, so the two were combined into one as a practical gift for good luck. The connection with Christmas may come from eating around this time since nuts are harvested in the fall and keep well.

Especially after Tchaikovsky's ballet, The Nutcracker Suite, premiered in St. Petersburg in 1892 the little figurines grew in popularity. They became common in America only since the 1950s after soldiers in WWII brought them back from Christmas fairs in Germany (which I would LOVE to go to someday).

My favorite random fact that I've gathered from reading about nutcrackers is "Nutcrack Night" also known as Halloween. In Scottish and Northern English tradition, October 31 was the night to sit around a fire and crack freshly harvested hazelnuts and chestnuts. Maybe our nutcrackers should come out on Nutcrack Night and stay through Christmas!

Wreaths? {12 Days of Christmas Traditions Explained Quickly : Day 3}

Why have I been making wreaths from Christmas tree branches the past two Christmas seasons? Why did we hang one on our door growing up? Tradition, I suppose...

DAY 3: WREATHS.

Christmas wreaths can be traced back to Ancient Greeks and Persians, who wore them as a symbol of status or victory. They may have been hung in the home or on the door as souvenirs. Wreaths were also hung on doors as symbols of the home to distinguish one home from another.

The specific use of evergreens most likely stems from celebrating Winter Solstice. Evergreens were chosen since they stay green year-round; a symbol of life overcoming- again, a victory. 

In the Christian tradition the circular shape represents eternal life- perhaps using evergreens as a symbol of victory over death.

Which reminded me of:

"Death is swallowed up in victory. Oh death, where is your victory? Oh death, where is your sting?...but thanks be to God who gave us victory through our Lord Jesus Christ. Therefore, my beloved brothers, be steadfast, immovable, always abounding in the work of the Lord, knowing that in the Lord your labor is not in vain." (1 Cor. 15:55-57)

Wreaths are a much more powerful symbol than I had expected... it gives me more motivation to form those branches sitting on the balcony into a symbol to remember Christ's victory over death.

Mexican Hot Chocolate? {12 Days of Christmas Traditions Explained Quickly : Day 2}

Mexican Hot Chocolate? No, it's not a twist on hot chocolate. It's the other way around! The modern sugary-chocolatey-milky indulgence is a distant adaption of the original.

DAY 2: MEXICAN HOT CHOCOLATE.

Let's time travel back 2500 years to the Maya. They made a bitter chocolate drink made of ground cocoa seeds, water, chiles, and other spices. When the Spaniards came in the 16th century, it was still this bitter and spicy cocoa drink taken for its health benefits. 

After it was introduced in Europe, sugar was eventually added in the 17th century. It was an expensive drink since all ingredients were imported. Later in the same century, a British gentleman added milk. Of course.

It wasn't until the 19th century that the Dutch processed the beans into cocoa powder (and eventually to bar chocolate, hallelujah). I always buy "dutch process" cocoa powder because of the wonderful, smooth flavor but never thought about the name. The Dutch were the first to separate cocoa butter and cacao seeds, and the name stuck.

Fast forward a couple centuries:

Have you tried hot chocolate in Italy or Spain? I was shocked the first time I tried "hot chocolate" in Italy, after growing up with American instant powdered hot chocolate. The best way to describe it is an espresso cup of rich chocolate pudding. In Spain it's also a rich chocolate pudding (plus churros for dunking).

My cooking, traveling, and painting worlds collide- my favorite moments!

心もあたたまる："Also warms your heart"

I suppose my Christmas drink, my "Mexican hot chocolate" (a concoction of almond milk + dutch process cocoa powder + cinnamon stick) has little to do with the original form, but I'll keep stirring my cinnamon stick now as an ode to times long ago. 

Now with this wealth of hot cocoa knowledge, continue on with this merry December and enjoy the health benefits of good cocoa.

I meant my "hallelujah" very literally: 

And also that every man should eat and drink, and enjoy the good of all his labour, it IS the gift of God. (Ecclesiastes 3:13)

27/50 : Learning to Teach

This painting is from my last etegami workshop in November. It has taken that long to get back to writing! Since my translation and copywriting work is in the retail business, Christmas is the busiest season and it has felt like I'm just barely hanging on. In the middle of that, I got selected on a jury for jury duty! It was surprisingly very interesting, and for short cases I'd say it's a worthwhile experience (even though I was grumbling the whole time).

I daydream about painting these days as I walk to and from the stations on my commute. Since I'm explaining how I paint when I do workshops or demonstrations, I think more step-by-step. There's a lot that's just second nature now- when to apply more pressure, when to lift the brush, where to leave space white, where to add pops of color. I'm now having to trace my steps back to how I decide. 

"Autumn is the season for pumpkin pie"

Some things I've learned that I can now explain:

• To get better at composition, look at good photographs. 
• Practice your writing style and perfect your signature. 
• Boldly mess up. Those confident mistakes often turn into something great.
• No more than 2 layers of watercolor...let the paper breathe!
• Variety of strokes, color intensity and values is key to get eyes glued on the piece.

Things I'm trying to teach myself, talking to myself:

• Stop comparing. (You'll never paint like them, and no one paints like you.)
• Keep painting. (It's getting better.)
• Be patient. (You've already passed the Michelangelo/Mozart prodigy age.)

I'm glued in the psalms during this busy season. I particularly connected with:

And I say, "Oh, that I had wings like a dove! I would fly away and be at rest;
yes, I would wander far away; I would lodge in the wilderness; I would hurry to find a shelter from the raging wind and tempest." (Psalm 55:6-8)

How comforting to know that there are others that want to fly away and become a hermit sometimes. BUT right after in the same psalm:

"Cast your burden on the Lord, and he will sustain you; he will never permit the righteous to be moved." (Psalm 55:22)

26/50 : Unitasking this Holiday Season

Happy belated Thanksgiving! Now that my stomach is full of several meals of turkey... I can sit down and write. 

How can we uni-task in the busiest time of year? I'll start with what I know. 

I like to multi-task because I feel productive and then proud of that productivity. My mind says, "Look how much you accomplished, self!" I rely on myself and feed my pride. However, I do know that I can't multi-task that effectively. One of the two or three things isn't done well.   

If I blow dry my hair and fill in my eyebrows at the same time, I either have caterpillars on my forehead or frizzy and tangled hair. Both accomplished, maybe saved 5 minutes, but neither were done well and probably more energy spent than necessary.

A friend from Japan stayed with us for about 9 days and she taught me how to do one thing at a time, and what that communicates to another person. When you stop, sit, and talk, it shows that you care, you are listening, that they are worth your time. Of course this isn't always possible, but in my case I'm the one that gets in the way more than external interruptions. The dishes don't HAVE to be done now. That spill doesn't HAVE to be cleaned now. Instagram doesn't NEED me to check it.

It's really hard to undo multi-tasking. At times it can be fine, sometimes necessary. But not always. People are more important than tasks. I tend to forget this when I'm on a mission, but in the busiest time of year, I want to try to uni-task when it comes to people. My friend is teaching me, just by being with her, that one's presence and stillness speaks volumes about caring for and valuing someone.

Be devoted to one another in brotherly love; give preference to one another in honor. (Romans 12:10)

So, while I feast on Thanksgiving leftovers and look forward to more holiday festivities, I hope to get better at unitasking. How to do it? Some tips that help me:

• Spend time with someone who is good at it. Get antsy and uncomfortable through it.
• Leave your phone in a different room (with the volume up if needed for emergencies).
• Practice yoga for a few minutes a day. It teaches "mindfulness" in details of each task.
• Rest your hands and turn your body towards whoever you are talking to. 
• Pray: for patience and trust to rely on God to accomplish what needs to be done.

Some additional reading: 12 Reasons to Stop Multitasking according to Huffington Post.

 Happy unitasking!

25/50 : What to do with"28 Thousand Days"

 Our days are numbered. Alicia Keys reminded me the other day--"28 Thousand Days"? Maybe. Maybe not. Often not.

 Some changes at work make me more grateful for and mindful of the people I see daily. It's not guaranteed to continue.

 I painted this stack of pants for my boss as a goodbye and thank you gift to him- he reminded us of the right perspective, that we are after all "just selling pants."(written in Japanese in the painting since my job is exactly this translation process)

"Just Selling Pants" 

Psalm 39:4-7

Show me, Lord, my life's end and the number of my days; let me know how fleeting my life is.

You have made my days a mere handbreadth; the span of my years is as nothing before you.

Everyone is but a breath, even those who seem secure.

Surely everyone goes around like a mere phantom; in vain they rush about, heaping up wealth without knowing whose it will finally be.

But now, Lord, what do I look for?

My hope is in you.

By hoping and trusting in God, who is eternal, it puts my petty daily troubles (which wouldn't even make a visible dot on a timeline of eternity) into perspective. They will pass, but how I respond and treat people in the meantime- those things last longer. While my boss (who is on to other adventures) was incredible at his job, his love for people and care for coworkers as family set him apart and impacted everyone.

"Let all that you do be done in love."

1 Corinthians 16:14

ALL? Yup. God can work miracles even in a hard heart like mine, so he can make the impossible a reality.

23/50: Portuguese Wall Painting & Yogi Adventures

While valuing everything I have from God (see last post)- his teaching, resources, time, talents- I want to share what I've been given. 

Now that doesn't mean I intend to give away everything I paint! The only paintings I give away are to family for now, until I build up a larger portfolio. This one was a recent painting for my mother-in-law's birthday.

16x20"

At work she had a painting from a rotating collection that went through the offices but she wanted something that she would really enjoy looking at, not someone else's collection. I wanted the painting for her to match her character but of course can't encompass all of a person so I pinpointed a couple things about her: 

• easygoing and relaxed but organized and responsible 
• loves beautiful colors and being in God's creation.

Compared to a painting for Page (see here), the style is different. His was for a different purpose, more about structure and order. Hers is for enjoyment, for a breather. 

I took a photo of this wall in Portugal. It was part of a staircase tower in the magnificent garden/estate of Quinta da Regaleira in Sintra. We had never seen anything like it- the caves, palace, chapel, wild greenery, mossy stones, I can't do it justice in a sentence. 

[So if you're curious, look at pictures of this incredible place on trip advisor.]

Even plenty of space for yoga like the crane pose with a crane statue...what a cheeseball... I would love to spend days there. A yoga retreat maybe?

Back to the painting. I don't believe practice makes perfect, but that principle applies here. I attempted painting this wall earlier this year, and it's in my first post this year. I didn't end up posting the final version afterwards because it was a mess! In comparison, this new painting came together from start to finish in less than 3 hours. The point is, practice! The practice version (plus years of painting beforehand) wasn't wasted. If only I could remember that every time BEFORE my perfectionist tendencies take over and I'm discouraged after messing something up.

Lastly, something I'm meditating on: 

"Let the word of Christ dwell in you richly, teaching and admonishing each other in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God." Colossians 3:16

What do I dwell on and what kind of words result? (the latter seems to indicates the former)

21/50 : Careful what you Google! [Lessons from a new job, part 2]

I was working on a quick one-line translation at work. I looked up a name for a shade of pink in Japanese to see if it was a transliterated color name (like "pee-chi" for peach, etc) or a Japanese word. No photos came up, just text. That should've been clue number 1, but I wasn't aware that apparently Google doesn't show photos for graphic content. The summaries I skimmed in the first 5 hits that came up were unexpected! There I was, week 1 at work, already looking up...what? Porn. Noted, I am definitely NOT using this word in Japanese!

Lesson 1: Careful what you Google.

For my sanity, I must stop comparing this work commute to my previous Tokyo commute. Where could I begin? Why do people on the platform stand directly in front of the doors and block passengers getting off the trains? Why is there enough space to do yoga in the aisles between the seats while people are packed like sardines in the space between the doors on each train? Why is the escalator line far down the platform blocking traffic while the stairs are empty? Why are both sides of the escalator standing sides during rush hour? I suppose these questions answers my last question: Why is the train late 90% of the time?

As scary as it was to face a herd of morning commuting robots in Tokyo, I appreciated the unspoken systematic approach once I got the hang of it and became one of the robots.

Lesson 2: I've a feeling we're not in Tokyo anymore.

This etegami ("letter painting") below was for work also, included in a thank-you note. We talked about going to Humphry Slocombe for an ice cream break after a busy week so that part of the conversation went into the painting.

This weekend I realized (again) that my hopes and prayers are small. But time and time again I'm shown that the "impossible" is possible, and I should hope for great things. I should expect God to work miracles. I'm a pessimist. So, I need extra time spent focusing on the truth, like:

God's voice thunders in marvelous ways, He does great things beyond our understanding. [Job 37:5]

and my favorite that I forget too often:

"Now to him who is able to do far more abundantly beyond all that we ask or think, according to the power at work within us, to him be the glory..." [Ephesians 3:20]

It's "risky" for a pessimistic-planner-type to expect great things and pray for miracles but here we go! Maybe changing this "pessimistic-planner-type" description of myself will be miracle #1.

20/50 : A Burger for Labor Day!

Happy Labor Day in an etegami!

Below is what I painted during the art demo on Wednesday at the Fremont Art Association. Etegami ("painting letters") are usually seasonally themed, so I thought about what holidays are coming up and Labor Day was perfect! What's associated with Labor Day? Grilled burgers of course.

「休みの時はハンバーガー」："When you're off, have a burger" (roughly translated)

Before the demo I was nervous: my first week of work overlapping with my first art demo/class... the 9-5 job wasn't on the radar when I first agreed to the demo date. Then as usual, some completely unnecessary pessimistic thoughts crept up:

• What if only 3 people show up (my husband Page, the coordinator, me)?
• What if I can't explain clearly?
• What if they aren't interested?
• What if they are disappointed?
• What if my demo painting turns out terrible? 

While I couldn't do much to solve most besides pray for supernatural peace, I could at least cross off one by preparing and organizing to provide maximum clarity for participants. If they see me paint, hear me explain, read my handout, and paint their own etegami, that's at least 4 avenues of input! So I spent hours on Sunday planning and making a handout, taking my time since it was also an opportunity to brush up on Adobe InDesign [by no means a one-day feat].

To be honest, after my quick demo my perfectionist side was horrified to see my juicy burger (painting) seep into the bottom bun! BUT it was fun. People were excited and engaged, even inspired to buy the materials to do it at home or incorporate techniques into there own art practice. The enthusiasm of the 25 or so participants gave me a second wind of energy and my anxiety was gone.

I don't want it to sound like magic. The public speaking/teaching I signed up for over and over during grad school to conquer my fear of public speaking really helped. I learned how to organize, simplify, and explain slowly from practice. Opportunities don't just fall in place, but it looks like a pattern of God rewarding the work you put in. I firmly believe:

"Whatever you do, work heartily, as for the Lord and not for men."

because, 

"Unless the Lord builds the house, those who labor build it in vain."

More pics on their Facebook page: https://www.facebook.com/fremontartassociation?fref=ts

I expected this opportunity to be good practice and a fun side gig, but it went far beyond! Two tentative things to look forward to:

1. Exhibiting my work in SF (a representative from an office in SF spoke with me right before the demo to see if I was interested. And YES I am.)
2. Doing etegami workshops on Saturdays in the next few months

I can't stop thinking, "never try, never know, honey!" whenever something unexpectedly wonderful happens. Moral of the story: if you have a dream, you want to get better at something, you hope for something, GET MOVING.  Baby steps most certainly count!

"In all toil there is profit, but mere talk tends only to poverty." (Proverbs 14:23)